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“The Organ is in truth the
grandest, the most daring, the most magnificent of all instruments
invented by human genius. It is a whole orchestra in itself. It can
express anything in response to a skilled touch. Surely it has in some
sort a pedestal on which the soul poises for flight forth into space,
essaying on her course to draw picture after picture in an endless
series, to paint human life, to cross the Infinite that separates heaven
from earth?” And the longer a dreamer listens to those giant harmonies,
the better he realizes that nothing save this hundred voiced choir on
earth can fill all the space between kneeling men and a God hidden by
the blinding light of the sanctuary. The music is the one interpreter
strong enough to bear up the prayers of humanity to heaven, prayer in
its omnipotent moods, prayer tinged by the melancholy of different
natures, colored by meditative ecstasy, upspringing with the impulse of
repentance-blended with the myriad of fancies of every creed. Yes. In
those long vaulted aisles the melodies inspired by the sense of things
divine are blent with a grandeur unknown before, are decked with glory
and might. Out of the dim daylight, and the deep silence broken by the
chanting of choir in response to the thunder of an Organ, a veil is
woven for God, and the brightness of His attributes shines through it”
quotation by Honore de Balzac in a publication by George Ashdown
Audsley. The Art of Organ Building, New York, Dover Publications,
1965 (This Dover edition, first published in 1965, is an unabridged and
corrected republication of the work first published by Dodd, Mead and
Company, New York, in 1905.) |