This project consists of a new, two manual digital instrument to be installed for use in the fellowship hall, and the chapel. Each room will have its own set of audio, and the console will be able to move from room to room, with different voicing parameters.
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| GREAT |
1. |
Violone |
16 |
| Expressive |
2. |
Diapason |
8 |
| Manual I |
3. |
Harmonic Flute |
8 |
|
4. |
Chimney Flute |
8 |
|
5. |
Dulciana |
8 |
|
6. |
Unda Maris |
8 |
|
7. |
Principal |
4 |
|
8. |
Harmonic Flute |
4 |
|
9. |
Twelfth |
2 2/3 |
|
10. |
Fifteenth |
2 |
|
11. |
Mixture III |
1 1/3 |
|
12. |
Basson (Sw) |
16 |
|
13. |
Trumpet (Sw) |
8 |
|
14. |
French Horn |
8 |
|
15. |
Clarinet |
8 |
| Non-Coupling |
16. |
Tuba |
8 |
|
17. |
Chimes |
|
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18. |
Tremulant |
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| SWELL |
1. |
Lieblich Gedeckt |
16 |
| Expressive |
2. |
Violin Diapason |
8 |
| Manual II |
3. |
Stopped Diapason |
8 |
|
4. |
Viola da Gamba |
8 |
|
5. |
Viola Celeste |
8 |
|
6. |
Principal |
4 |
|
7. |
Koppelflute |
4 |
|
8. |
Gemshorn |
4 |
|
9. |
Nazard |
2 2/3 |
|
10. |
Waldflute |
2 |
|
11. |
Tierce |
1 3/5 |
|
12. |
Larigot |
1 1/3 |
|
13. |
Plein Jeu III |
2 |
|
14. |
Basson |
16 |
|
15. |
Trumpet |
8 |
|
16. |
Oboe |
8 |
| Non-Coupling |
17. |
Tuba |
8 |
|
18. |
Tremulant |
|
| PEDAL |
1. |
Contra Violone |
32 |
| Expressive with |
2. |
Diapason |
16 |
| Great |
3. |
Violone (Gt) |
16 |
|
4. |
Bourdon |
16 |
|
5. |
Dulciana (Gt) |
16 |
|
6. |
Lieblich Gedeckt (Sw) |
16 |
|
7. |
Octave |
8 |
|
8. |
Violone (Gt) |
8 |
|
9. |
Bassflute |
8 |
|
10. |
Choral Bass |
4 |
|
11. |
Harmonic Flute (Gt) |
4 |
|
12. |
Contra Basson (Sw) |
32 |
|
13. |
Double Trumpet (Sw) |
16 |
|
14. |
Basson (Sw) |
16 |
|
15. |
Trumpet (Sw) |
8 |
|
16. |
Clarion (Sw) |
4 |
|
17. |
French Horn (Gt) |
4 |
|
18. |
Clarinet (Gt) |
4 |
| COUPLERS |
1. |
Great to Pedal |
8′ |
|
2. |
Great to Pedal |
4′ |
|
3. |
Swell to Pedal |
8′ |
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4. |
Swell to Pedal |
4′ |
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5. |
Swell to Great |
16′ |
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6. |
Swell to Great |
8′ |
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7. |
Swell to Great |
4′ |
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|
8. |
Swell to Swell |
16 |
|
9. |
Unison Off |
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|
10. |
Swell to Swell |
4 |
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|
11. |
Great to Great |
16 |
|
12. |
Unison Off |
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|
13. |
Great to Great |
4 |
|
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14. |
All Swells to Swell |
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